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Artworks In Stock

Joan Miró, Arlequin Circonscrit, 1973

Joan Miró 1893-1983

Arlequin Circonscrit, 1973
Lithograph in colours on Arches paper
Signed in pencil
Sheet: 76 x 54 cm; 29 7/8 x 21 1/4 in
Image: 62 x 46 cm; 24 3/8 x 18 1/8 in
Framed: 95 x 75 x 3 cm; 37 3/8 x 29 1/2 x 1 1/8 in
An HC (Hors de Commerce) proof; aside from the numbered edition of 75. Printed by Arte Adrien Maeght, Paris. Published by Maeght, Paris.
$ 15,000.00
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Visualisation

On a Wall
In Joan Miró's 'Arlequin Circonscrit' (1973), the artist's signature black lines create a striking contrast against the white background, immediately drawing attention to the central figure. This figure, bold and...
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In Joan Miró's 'Arlequin Circonscrit' (1973), the artist's signature black lines create a striking contrast against the white background, immediately drawing attention to the central figure. This figure, bold and dynamic, stands at the heart of the composition, commanding the viewer's gaze. The surrounding elements—ethereal rings, a luminous moon, and sparkling stars—enhance the otherworldly atmosphere of the piece. These celestial motifs seem to orbit the central figure, suggesting a gravitational pull towards it.


This interplay of elements may symbolize the figure's transition from one realm to another, a journey or transformation that is both physical and spiritual. The figure appears to be in the process of embracing a new identity, stepping into a different world with a renewed sense of self. Miró's use of vivid colours and abstract forms further accentuates this metamorphosis, imbuing the work with a sense of movement and change.


The composition’s balance between simplicity and complexity reflects Miró's masterful ability to convey profound themes through minimalist yet evocative imagery. The stark black lines not only frame the figure but also create a sense of depth and dimension, inviting the viewer to explore the space around and within the central motif. The contrast between the black lines and the white background highlights the figure's prominence, making it the focal point of the entire piece.

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Literature

Cramer 887.
Maeght 887.
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